The story is of course much more complicated than that, but twists, turns and double-reverse whammies are the very soul of the caper movie. Brooks, a craftsman writer-director whose recent credits includes "The Professionals" and "In Cold Blood," has fun with the structure of his movie. It works something like recent Robert Altman films; Brooks never stops to explain anything, never lingers over a plot, never bores us with lectures and explanations. Instead, all his characters plunge ahead, obsessed with greed.
Warren Beatty and Goldie Hawn are weirdly interesting together. Their acting styles lie at right angles, so you get two textures in the same scene. Since the visual style of the movie keeps whamming textures against each other, this contrast in the acting really works.
Beatty is the best con man in movies, certainly since Clark Gable died. He is filled with deals, angles, things he has to pull you over in a corner to whisper. He can make you rich tomorrow, and himself, too, one of these days. And he has an unusual kind narcissism -- unusual for an actor. He isn't narcissistic about himself, but about his style; he's in love with conning people.
Up against Beatty's con, Goldie Hawn is pure gullibility. Her eyes are big enough to make a Keane painting look representational, and when she walks, it's as if she were finally getting the knack. How these two people got together is never made much of in "$." They're too absorbed in getting all those dollars, those marks and liras and francs, out of that vault and into their arms. It is good to see people who enjoy working together. Brooks is good at showing it too; we got a sense of camaraderie in a shared goal in "The Professionals" and "In Cold Blood," and now in "$." All of the goals are illegal, of course, but that's the frosting.
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